A number one search result is assigned a value of 1. Each search result is assigned a value.The top 200 search results for each search are imported into an Excel spreadsheet using a specialized plugin for Firefox.The above searches are performed for each song on Google, Bing, and Yahoo.Browser (history, cookies, etc.) is cleaned prior to searches.The search engine auto-fill suggestions determine the most popular snippet of song lyric. Two search phrases are created for each track.This track must be a top 5, Hot 100 hit from at least 20 years ago. One track is a randomly selected “oldie”.Two of the songs are on Billboard’s Hot 100 current top 10.Currently, this is the methodology used to compile this list of websites: I’m open to suggestions and am particularly interested in developing methodology that can be used across a variety of copyright categories, not just lyrics. We will confirm your licenses and will be glad to remove your site from the list if you in fact are licensed. If you feel your site has been mistakenly included in this list, please contact us at uga_undesirable_. It is entirely possible that some of these sites are licensed and we have not been able to locate those responsible for their licensing. This leads us to conclude these sites are most likely unlicensed. However, we could not locate the sites in the database and they do not appear to have otherwise been flagged as licensed based on our exhaustive web search. We cannot absolutely conclude, from the outside looking in, that these sites do not have licenses. We use the term “undesirable “ because these sites do not appear to be licensed. Our use of the term “undesirability index” is inspired by Google’s UK Policy Manager Theo Bertrand, who used the term during a recent debate in London. The Lyric Website Undesirability Index And List
#MUSIXMATCH LYRICS ROYALTIES DOWNLOAD#
Just like their music streaming and music download counterparts, licensed lyric sites compete with many unlicensed sites that are not burdened with royalties to songwriters and publishers. Further, music publishing and technology companies have worked together to offer easy and inexpensive licenses through and The industry is robust and flourishing. There are even companies that appear to specialize in matching specific lyrics to key demographics for advertisers. Many of the sites appear to have accounts with major online advertising exchanges and prominently feature advertising from major brands. Indeed, the vast majority of these websites seem to have well-established monetization schemes based on advertising. Based on the popularity of lyric searches, it is possible that unlike the sound recording business, the lyric business may be more valuable in the Internet age. For example, we have found that the fully licensed frequently ranks in the Top 500 websites in the U.S. However, there is anecdotal evidence that these lyric websites generate huge web traffic and may involve more money than one might think. At the dawn of the Internet age, the analog equivalent of lyric and “tab” websites was in the form of “sheet music”. It has always been assumed that there is not much money at stake.
#MUSIXMATCH LYRICS ROYALTIES MOVIE#
An N.W.I of X means every Xthword in the lyrics of the artist is a new word, that is, a word he/she has never used before in any of his earlier songs.There has been much study of music and movie infringing websites over the last decade. This is the ratio of (Lyrical density / Vocabulary Size). NEW WORD INTERVAL (N.W.I) : On average, the number of words after which a new word is used by the musician. LYRICAL DENSITY: The total number of words (across any language) used by a musician in 100 (or less) densest songs across their career. Here are some definitions you should be acquainted with VOCABULARY SIZE: The number of unique words (across any language) used by a musician in 100 (or less) densest songs across their career. This should give a fair idea of the overall vocabulary of these musicians. Also, 100 songs comprises 8 to 10 albums of music which would span at least 5 to 10 years of work. Only 6 of these musicians have released less than 100 songs, so it is a good threshold. To prevent the analysis from being skewed purely by the number of songs released, the vocabularies are compared across the 100 densest songs (by total number of words) that they have released. MOST AND LEAST PROLIFIC OF THE 93 MUSICIANS
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